Back in the days when I wrote my first songs, I hated my voice. I saw myself as a songwriter and guitarist but never a singer! I continued to write songs, and to search for the perfect singer. After a few years I did discover a singer, so we started a project together. We held a few concerts, and put a lot of work into it. She forces me to sing some songs at concerts myself, so I started going to a bar to practice them. This was my first, small breakthrough. One day she came round to my flat and informed me that she could no longer work with me, and also that the bar owner at the open mic venue  had replaced us at short notice because some New York jazz star happened to be in town, and was available that evening to perform. The first bit of news made me sad and disappointed, but the second made me angry. However, that same evening, with as much determination as I could muster  , I resolved to play three new songs at the bar, just as I had planned before. I was quite nervous, but I dragged myself down to the bar and sang those songs! I never felt so liberated . That night I couldn't get to sleep. I was simply astonished, hardly believing that I was a person who acted so courageously, and that I'd been able to sing my songs myself. Since then I've begun to encourage others to adopt a similar approach when they aren't able to see their own potential. One example is an amateur fiddler   who could barely bring herself to lift her instrument to play in front of people. I forced her to ignore her fear, and simply get on with it. Now, a year or two later, she is a passionate, happy performer in front of any crowd! Once you get the ball rolling in yourself, you can start inspiring those around you. How did the author feel when she heard that her partner could no longer work with her?
Sad and disappointed. Sad and angry. Disappointed and angry. Astonished and angry.
Question: Back in the days when I wrote my first songs, I hated my voice. I saw myself as a songwriter and guitarist but never a singer! I continued to write songs, and to search for the perfect singer. After a few years I did discover a singer, so we started a project together. We held a few concerts, and put a lot of work into it. She forces me to sing some songs at concerts myself, so I started going to a bar to practice them. This was my first, small breakthrough. One day she came round to my flat and informed me that she could no longer work with me, and also that the bar owner at the open mic venue  had replaced us at short notice because some New York jazz star happened to be in town, and was available that evening to perform. The first bit of news made me sad and disappointed, but the second made me angry. However, that same evening, with as much determination as I could muster  , I resolved to play three new songs at the bar, just as I had planned before. I was quite nervous, but I dragged myself down to the bar and sang those songs! I never felt so liberated . That night I couldn't get to sleep. I was simply astonished, hardly believing that I was a person who acted so courageously, and that I'd been able to sing my songs myself. Since then I've begun to encourage others to adopt a similar approach when they aren't able to see their own potential. One example is an amateur fiddler   who could barely bring herself to lift her instrument to play in front of people. I forced her to ignore her fear, and simply get on with it. Now, a year or two later, she is a passionate, happy performer in front of any crowd! Once you get the ball rolling in yourself, you can start inspiring those around you. How did the author feel when she heard that her partner could no longer work with her?
A. Sad and disappointed.
B. Sad and angry.
C. Disappointed and angry.
D. Astonished and angry.
Answer: