<sod>Tulve belongs to the younger generation of Estonian composers who, in contrast to the neo-classicist tradition of rhythm-centeredness, create music which focuses on sound and sonority. Tulve’s works give a fair idea of the richness and variety of her cultural experience: the French school of spectral music, IRCAM’s experimentalism, [[Kaija Saariaho]] and [[Giacinto Scelsi]], echoes of Gregorian chant and Eastern musics. Deriving from her refined sound processing, Tulve’s approach to form is “fluid” – more process based than architectonic.<eod>
<sod>Tulve belongs to the younger generation of Estonian composers who, in contrast to the neo-classicist tradition of rhythm-centeredness, create music which focuses on sound and sonority. Tulve’s works give a fair idea of the richness and variety of her cultural experience: the French school of [[spectral music]], [[IRCAM]]’s experimentalism, [[Kaija Saariaho]] and [[Giacinto Scelsi]], echoes of Gregorian chant and Eastern musics. Deriving from her refined sound processing, Tulve’s approach to form is “fluid” – more process based than architectonic.<eod>