The element present in Swiszczs work and absent from Hroneks and Rileys crisply delineated scenes is time. 스비슈츠의 긴 그림자는 새벽이나 해질녘, 즉 하루의 전환점을 암시합니다. The Laundromat man is on the way to, or from, doing his laundry.