The sculptures have a depth that was lacking in the Mukteswara Temple sculptures. The slightly projecting entrance is flanked by round thick columns entwined by "naga" on the left. Guardians of the eight directions project from the base of the temple in the eight directions, starting from the gateway in a clockwise direction around the porch and the deul, ending at the "torana" (entrance). The other noted sculptures are "naga-nagi sthambha", "saiva dwarapalas" on the entrance doorjambs, and "lakulisa" on the lintel of entrance, above which is the architrave of Navagrahas. The best-preserved sculptures of the temple are the standing "astadikpalas" on the central façade of "kanika", appearing on the "jangha" portion of the "bada" clad in diaphanous drapery. The image of Varuna is intact and notable for its body ornamentation, coiffure and facial expression. Scenes of the marriage of Shiva, Nataraja, and Parvati are the cult images present in the temple. There are tall, slender, sophisticated nayikas gracing the walls of the sanctum depicted in various roles and moods in amorous dalliance with actions such as turning her head from an emaciated ascetic, fondling her child, holding a branch of tree, attending to her toilet, looking into mirror, taking off her anklet, caressing her pet bird and playing instrument. There are also erotic ("mithuna") figures carved in high relief on the projecting portions of the "uparajangha". The other decorative motifs are carved in the shape of "vyala", "jagrata" and "gajakranta". The scroll motifs are of foliage, creepers and vines ("vanalata"), each containing lush foliage independent of any stalk or vine.

శిల్పాలు
విమానం
నిర్మాణశైలి
చరిత్ర